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From the shadows, the Nine Families have operated in secret for centuries, shaping the fate of the world. Now—finally—they will be revealed in CRYPTOCRACY, a new conspiracy-fueled creator-owned series from writer Van Jensen (The Flash, Green Lantern Corps) and artist Pete Woods (Deadpool, Action Comics), launching June 29 from Dark Horse.Imagine X-FILES, except seen from the perspective of the Smoking Man. That is CRYPTOCRACY, an ongoing series that gives us an inside look at the hidden powers that guide humanity. Our hero is Grahame, a senior agent inside one of the Nine Families. Just as he is rising to power, all is thrown into turmoil when a mysterious figure known only as “Hum” attacks the Families. Neat image software free for photoshop 7.0 with key. As Grahame fights to defend all that he has built, he’s pulled into a greater mystery when the oldest Family secrets finally are dragged into the light. It’s a raucous, epic series that offers a new take on the most well known conspiracies, as well as a few from the farthest edges of the fringe.CRYPTOCRACY #1 is featured in the April PREVIEWS catalog under order code: APR160120.
Brian Azzarello Batman
Building on Heath Ledger’s performance in The Dark Knight (although long before the movie’s debut), Azzarello creates a memorably cringe-worthy story. Rather than a natty Clown Prince of Crime, this Joker looks like a glam rocker gone to toxic seed. Newly released from Arkham Asylum, he begins disorganizing the criminal establishment of Gotham City.
Joker
Although he claims to want power and money when he confronts Two Face and his peers, he really seems just to enjoy playing with people—shooting them, setting them on fire or skinning them alive. Accompanying him is Jonny Frost, a young thug who takes a long time to recognize the drawbacks of seeing a vicious sociopath as a role model.
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Azzarello Brian 2008 Joker
Like Jonny, however, readers may find that, horrifying as the Joker is, they can’t take their eyes off him. Even Batman, when he inevitably enters the action, functions largely as the Joker’s partner in a dance of death. Azzarello has learned how to create a menacing, morally ambivalent atmosphere in his years of scripting 100 Bullets, and Bermejo’s jagged, shadow-saturated art sustains the mood. The result is fascinating but extremely dark.